Tag: “Easter Triduum” (18 posts)
Tenebrae 2009 from the Benedictines in Norcia, Italy
April 11, 2009 by — 1 comment.
From the resurgent St. Benedict’s Monastery in Norcia, Italy comes recordings of this year’s Tenebrae: Thanks to the generous gift of several friends of the monastery, we have the technology in place this year to bring you a digital audio recording of Tenebrae for each day of the Triduum through our web page. Our purpose [...]
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Recordings.
Two English-Latin sung Tenebrae resources
March 30, 2009 by — 2 comments.
In the Roman Rite, Tenebrae — the “Office of Darkness” — combines Matins and Lauds of the Divine Office on Holy Thursday, Good Friday, and Holy Saturday.[1] While some parishes hold these liturgies, they are a distinct minority. (I myself have never assisted at Tenebrae; I didn’t know such a thing existed until one of [...]
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SMTV Vol. II, No. 3.4 – Ubi caritas (Durufle)
March 27, 2009 by — 0 comments.
Ubi caritas et amor, Deus ibi est. Congregavit nos in unum Christi amor. Exultemus, et in ipso iucundemur. Timeamus, et amemus Deum vivum. Et ex corde diligamus nos sincero. Where charity and love are, God is there. Christ’s love has gathered us into one. Let us rejoice and be pleased in Him. Let us fear, [...]
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Recordings; Videos.
Eastertide (Year B) responsorial psalms set to Gregorian chant melodies
February 24, 2009 by — 0 comments.
Following up on the Easter Vigil responsorial psalms set to Gregorian chant is this collection of Eastertide Responsorial Psalms set to Gregorian chant melodies. While advertised as Year B, many of these Responsorial Psalms are also for Years A and C (such as Easter Sunday, Divine Mercy Sunday, Ascension, Pentecost Vigil and Sunday). These Psalms [...]
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Liturgical Reform; Vernacular Plainsong.
Easter Vigil responsorial psalms set to Gregorian chant melodies
February 22, 2009 by — 3 comments.
Hopefully these are posted in time for someone to consider using them. Like the interlectionary chants in the Graduale Romanum, all of these are in Mode VIII. The melodies are adaptations of those commonly found in the antiphons of the Divine Office, and the psalm tones for the verses (8G or 8c) are fully notated [...]
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Liturgical Reform; Publications; Vernacular Plainsong.
Questioning organ volume levels
May 20, 2008 by — 0 comments.
Amy Welborn revisits the topic of excessive organ volume levels, relating the moment she began to question them: It was Holy Thursday two years ago. Some of you might know that after the Gloria on Holy Thursday, there is not supposed to be any more musical accompaniment in Mass until Easter Vigil. A Capella is [...]
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Catholic Punditry.
Holy Week and Easter (1962 Missale)
March 25, 2008 by — 0 comments.
Below is the list of music that was sung by the choirs in which I participated for Holy Week and Easter. This was the first year that I was able to assist at Holy Week liturgies in the Extraordinary Form. Gregorian chant, as found in the Church’s official books, was employed almost exclusively.
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New composition of sacred music, plus a question to the readers
February 19, 2008 by — 1 comment.
Last weekend the angel of musical invention paid me a rare visit. Even rarer, the visit was of considerable length. What resulted was the very first original composition that I can truly say I’m proud of composing: a four-voice setting of the Good Friday antiphon Crucem tuam [ gif | mp3 ], with fauxbourdon verse, [...]
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Announcements.
A tale of two church music journals, in their own words
January 22, 2008 by — 0 comments.
Recently the Church Music Association of America released most of their Sacred Music journal archives from 1975-2007 in PDF format. Some months prior to this, the National Association of Pastoral Musicians made their Pastoral Music journal archives, of basically the same time period, freely available in the same format. I was beginning to write a [...]
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Relevant Reading.
Ad libitum Eucharistic Antiphons from the Graduale Romanum
July 8, 2005 by — 2 comments.
Page 391 of the 1974 Graduale Romanum lists seven Antiphonae Eucharisticae pro Communione ad libitum adhibendae, which may, for pastoral reasons, supplant the Communion chant proper to the day. If done responsorially with the verses specified by the Graduale, either in Latin or the vernacular, the same antiphon/psalm combination could conceivably be used over multiple [...]
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