The Recovering Choir Director

These articles outline where the choir, organ and instruments are to be placed in the church. The latter article also outlines the role of instruments during the seasons of Advent and Lent.

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These articles outline the roles of different musicians in the Mass.

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Article 90 outlines the concluding rites of the Mass. What isn’t said by the article is worth mentioning.

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Articles 86-88 address the purpose of the music at the Communion Rite, and the options for music.

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Article 83 of the General Instruction deals with the Fraction Rite and the music that should be sung during it. What is noteworthy is what isn’t said about the rite and what the article deems as standard practice for the Agnus Dei (”Lamb of God”).

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The Lord’s Prayer is the topic of this article.

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These lengthy articles that pertain to the Eucharistic Prayer don’t mention singing or music very much, but I include them here for reference. Most people should be familiar with how the most commonly sung parts of the Eucharistic Prayer unfold, from the “Dominus vobiscum…” (”The Lord be with you…”) to the Sanctus (”Holy”), from the “Mysterium fidei” (”Let us proclaim the mystery of faith”) to the “Per ipsum…” (”Through him…”). The Preface and Canon can be sung by the priest. If so, let’s hope he has been given training or is naturally gifted.

78. Now the center and summit of the entire celebration begins: namely, the Eucharistic Prayer, that is, the prayer of thanksgiving and sanctification. The priest invites the people to lift up their hearts to the Lord in prayer and thanksgiving; he unites the congregation with himself in the prayer that he addresses in the name of the entire community to God the Father through Jesus Christ in the Holy Spirit. Furthermore, the meaning of the Prayer is that the entire congregation of the faithful should join itself with Christ in confessing the great deeds of God and in the offering of Sacrifice. The Eucharistic Prayer demands that all listen to it with reverence and in silence.

79. The chief elements making up the Eucharistic Prayer may be distinguished in this way:

1. Thanksgiving (expressed especially in the Preface): In which the priest, in the name of the entire holy people, glorifies God the Father and gives thanks for the whole work of salvation or for some special aspect of it that corresponds to the day, festivity, or season.
2. Acclamation: In which the whole congregation, joining with the heavenly powers, sings the Sanctus. This acclamation, which is part of the Eucharistic Prayer itself, is sung or said by all the people with the priest.
3. Epiclesis: In which, by means of particular invocations, the Church implores the power of the Holy Spirit that the gifts offered by human hands be consecrated, that is, become Christ’s Body and Blood, and that the spotless Victim to be received in Communion be for the salvation of those who will partake of it.
4. Institution narrative and consecration: In which, by means of words and actions of Christ, the Sacrifice is carried out which Christ himself instituted at the Last Supper, when he offered his Body and Blood under the species of bread and wine, gave them to his Apostles to eat and drink, and left them the command to perpetuate this same mystery.
5. Anamnesis: In which the Church, fulfilling the command that she received from Christ the Lord through the Apostles, keeps the memorial of Christ, recalling especially his blessed Passion, glorious Resurrection, and Ascension into heaven.
6. Offering: By which, in this very memorial, the Church — and in particular the Church here and now gathered — offers in the Holy Spirit the spotless Victim to the Father. The Church’s intention, however, is that the faithful not only offer this spotless Victim but also learn to offer themselves,⁷¹ and so day by day to be consummated, through Christ the Mediator, into unity with God and with each other, so that at last God may be all in all.⁷²
7. Intercessions: By which expression is given to the fact that the Eucharist is celebrated in communion with the entire Church, of heaven as well as of earth, and that the offering is made for her and for all her members, living and dead, who have been called to participate in the redemption and the salvation purchased by Christ’s Body and Blood.
8. Final doxology: By which the glorification of God is expressed and is confirmed and concluded by the people’s acclamation, Amen.

The Preparation of the Gifts and the Offertory chant that accompanies it are the subjects of GIRM Article 74. The most noteworthy change from the previous instruction is the translation of “cantus” to “chant” instead of “song”, which will hopefully cause people to think, “Does the music we sing qualify as chant?” instead of other less charitable thoughts about the GIRM.

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Article 71 addresses how the Prayer of the Faithful is to be done.

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Articles 67-68 outline the ways that the Profession of Faith, or Creed is is to be recited.

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