Music scholar rediscovers lost 16th century Catholic Mass
From Zee News comes a story of unburied treasure (emphasis in boldface):
Rome, Dec 02: A music scholar has rediscovered a 16th century choral work of Italian composer Alessandro Striggio in the Bibliothèque Nationale, the national library of France.The man who found this music piece is Davitt Moroney, a music professor from Berkeley.
Known as the ‘Missa sopra Ecco sì beato giorno’, this gigantic choral setting of music for the Catholic mass was composed in Florence for the Medici family, whom Striggio served as a highly paid court musician. It was sent as a gift to the Holy Roman Emperor in 1567 as one element in a campaign by the Medici to obtain a much-sought-after archducal title.
“It’s one of the first great pieces to use architecture and space, with musical phrases physically moving around the ring from choir to choir,” said Moroney.
The 30-minute mass, composed for a massive ensemble of five eight-part double choirs, is one of the most extraordinary artworks of the Italian Renaissance. But while references to it exist in period correspondence, the score itself had been lost since 1726…
The following sentence in the article I found particularly amusing was this: “More or less, the reason for the lost music work was the intervention of human error.” One could apply that statement to many things.
Read the rest of the story on the Zee News website.
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I heard Professor Moroney give a paper on his discovery at the 2006 American Musicological Society national conference, and read the subsequent publication in the Journal of the AMS–I’ve also seen excerpts from the score, and heard a bad Finale-MIDI rendition of the Agnus Dei (which expands to 60 parts that enter in imitation). It’s a fantastic thing, and the story of it is amazing.
After taking it to the Holy Roman Emperor, Striggio traveled to the French court with another copy of the score, and then went to England, making it highly likely that it was Striggio’s piece that prompted someone to ask Thomas Tallis if an English composer could not do the same as this Italian and write something in 40 parts, and you know how that ended up.
Does anyone know when there will be a recording available?








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