Mass for the Dead

Music for 9:30 AM Funeral Mass of Louise Oriani, Our Holy Redeemer Church, Freeport, N.Y.

Introit3: Requiem aeternam (Chant, Mode VI) [ gif | mp3 ]
Sign of the Cross1: spoken, English
Greeting1: spoken, English
Kyrie2: Missa pro defunctis
Collect/Opening Prayer1: spoken, English
First Reading3: spoken
Verbum Domini dialogue3: spoken, English
Gradual3: Requiem aeternam (in TTB falsobordone)
Tract3: Absolve, Domine (in TTB falsobordone)
Sequence: Dies irae (Chant, Mode I)
Dialogue before the Gospel: spoken, English
Gospel Reading3: spoken
Verbum Domini dialogue1: spoken, English
General Intercessions2: “Lord, hear our prayer”, spoken
Offertory3: Domine Iesu Christe (Chant, Mode II) [ gif | mp3 ]
Orate fratres dialogue: spoken, English
Prayer over the Gifts: spoken, Latin
Preface dialogue1: spoken, English
Preface1: spoken, English
Sanctus1: Mass XVIII [ gif | mp3 ]
Eucharistic Prayer: I, spoken Latin
Mysterium Fidei: chanted, Latin
Anamnesis: Mortem tuam, chanted Latin
Per ipsum: chanted, Latin
Amen: chanted
Lord’s Prayer invitation:1 spoken, English
Lord’s Prayer1: chanted, Form A [ mp3 ]
“Deliver us, Lord”1: chanted, English
Lord’s Prayer, embolism1: chanted, Latin
Pax Domini1: spoken, English
Agnus Dei2: Missa pro defunctis
Communion Antiphon:3: Lux aeterna, with verses from Psalm 129(130) in Latin (Chant, Mode VIII)
Communion motet: Veni Jesu (Cherubini) [ mid | pdf ]
Concluding prayer1: spoken, English
“Ite, missa est” dialogue1: spoken, English
In paradisum (Gregorian chant)
Recessional: How Great Thou Art, vv. 1, 4 (O STORE GUD)

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13 Comments

What, no Dies Irae?

Good stuff for the Communion voluntary…

[Post has been corrected. The Dies irae was done in full. -AAE]


I was just wondering, to do a Requiem Mass for a funeral (complete with Kyrie, Sequence, etc), do you need special permission, or can it be done anytime?

Joe


The Requiem Mass can be done for a funeral without any “permission” except that of the celebrant-priest.

THAT’S most often the worst “permission” to get—either through ignorance or otherwise, they either don’t know it CAN be done–or prefer NOT to do it.


The “Sybil” reference has me confused. The one in Virgil’s Aeneid? Google finds Czech references to a queen of Sheba in Solomon’s time quoted in the Norse “Edda”… and medieval references to 4th century `Sibylline Books’ quoting `prophetesses who were believed to have predicted the Virgin birth’. Ambrose Bierce translates “so says Virtue, so says Beauty” and apologizes to David and the Sybil for doing that. It seems a uniquely ecumenical :) reference… obviously I’m missing something.


“I was just wondering, to do a Requiem Mass for a funeral (complete with Kyrie, Sequence, etc), do you need special permission, or can it be done anytime?”

Yes (with the priest’s permission), however, I’d strongly encourage following the Novus Ordo rubrics. If one were to do the Sequence, there’s no provision for it before the Gospel. Accordingly, the Sequence could be sung elsewhere in the liturgy. Also, there’s an Alleluia for the Gospel Acclamation in the Graduale Romanum, which would be normative outside of Lent, in my view. This would obviate the need for the Tract.


I always assumed “Sybilla” was a more general reference to any seeress or prophetess (probably OT,) or perhaps even a male who prophesized, used for the easy rhyme, rather than a specific reference to a particular sooth-sayer.
But I never really gave it much thought…
Looking forward to a learned answer.


Basically, “Sybil” was the name given to female seers or prophetesses in the ancient Near East. The most famous seer of classical times was the Sybil at Delphi, who breathed the fumes which emerged from a small spring of water there, who then went into a trance, and then who spoke in a strange language, which was translated into verse by oracles there.

Going from memory then, as regards the Dies Irae, I believe the context is:

Dies irae, dies illa
solvet saeclum in favilla
teste David cum Sybilla,

which when translated (very roughly) comes out to

Day of wrath, that day
when the age is dissolved in burning ashes
as both David and the Sybil testify.

In that context, the poet is saying that both the Psalmist and the pagans testify to the coming day of judgment for us all. This is simple enough.

By the bye, have you ever noted that you could put the words of the Dies Irae to the tune, Deck the halls with boughs of holly?

Seriously, though, I thought that that particular sequence had been surpressed after the Second Vatican Council. I would be very happy if I could be shown that I was mistaken about that.


As a totally irrelevant aside, the theme of the Dies Irae has been quoted over 80 times in longhair music–Rachmaninoff, Strauss, and others.

The last quotation I’m aware of is in the movie “The Lion King.” The Dies Irae is played in the 1st Violins at the time Papa Lion is killed by the bad-guy lion.


Thanks,

Joe


“By the bye, have you ever noted that you could put the words of the Dies Irae to the tune, Deck the halls with boughs of holly?”

Ooooooh, thanks!
Although I prefer the idea of singing the words “deck the halls” to that fantastic tune….


“the theme of the Dies Irae has been quoted over 80 times in longhair music–Rachmaninoff, Strauss, and others.”

Liszt, Berlioz, those wicked Brahms variations…. and the score to very horror film ever made.

It IS one of the greatest tunes of all time. Before I knew there was such a thing as a Requiem Mass I had heard the tune and recognized its power.

And tomorrow someone will probably want “Here I Am” for a funeral Mass.

Well, if it’s comforting (I had one family that thought it would be comfroting to hear “The Little Drummer Bot” for a funeral — in March, I might add.)


Also, I am familar with the “Libera Me,” if this is done, when should it be done, during the incensing of the casket?

Joe


In the Old Rite, the Libera is sung after the priest says a short prayer at the casket. This prayer is said after he re-enters the church in cope for the Absolution rite, prior to the Exsequarium.


A Musical Journey through GIRM