Don’t shoot the composers; they were doing their best
In following up the response to this article, Jeffrey Tucker makes a this noteworthy comment on Amy Welborn’s site regarding contemporary composers’ ignorance of the chant:
In our writing on this topic, we have received several very nice letters from big-name contemporary Catholic composers who have confessed that they know essentially nothing about chant–do not know even once-popular chant hymns such as Ave Maris, Ave Maria, Ubi, O Salutaris–and have been embarassed to admit it. This kind of humility is a great first step!
Could fostering an awareness of the chant amongst these composers assist in hastening its re-acceptance? Could perhaps newer compositions from these sources take the chant as a foundation or point of departure?
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It is also notable to point out that Marty Haugen recorded an arrangement of Conditor Alme Siderum almost twenty years ago. Ray Repp recorded an album of plainsong-influenced music back in 1978. Tom Conry also used chant in a few of his own recordings. In my own experiences, I’ve seen significant adaptations of plainsong presented well by parish musicians who might otherwise be considered “modern.”








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