St. Mary Major’s dubious distinction?
Polyphonic and Gregorian Chant. The Last Bastion at Rome’s Basilica of St. Mary Major.
ROMA On Sunday, May 18, the Pontifical Institute of Sacred Music held its final concert of the 2002-2003 season in its beautiful hall at its academy just steps from Rome’s Piazza Navona.
The Institute’s concert season is a first-class musical event: It’s enough to say that one musician at the opening concert Nov. 17, 2002 was world-famous violinist Felix Ayo.
But above all it is an event for the Church. It is the explicit proposal of a musical concept that goes against the mainstream in the field of sacred and liturgical music.
Why against the mainstream? Because Giovanni Pierluigi da Palestrina’s polyphony and Gregorian chant the essential elements of the institute’s offerings are noticeably absent in the liturgical practice of today’s Catholic Church. Not only forgotten, but deliberately banished.
Fr. Miserachs of the previously posted article is, in addition to the President of the Pontifical Institute of Sacred Music, the chapel canon maestro of Santa Maria Maggiore (QTVR of interior).
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Thanks for that interesting link.
There was a link on the same page to this article
http://213.92.16.47/ESW_articolo/0,2393,34313,00.html
BUt it’s in Italian!
Any idea how to read it in English?
You can try running it through Babel Fish, but the English translation is quite broken.
I’m doing my bit toward resurrecting Gregorian chant in our celebration of the Mass, though I have a sneaky suspicion that the reason Jubilate Deo never made the cut with modern liturgists is because its content happens to be the Missa pro Defunctis, the Mass of the Dead of pre-Vatican II.
But I need to know, for sure. So I’m ordering a copy of JD and its accompaniment book, to see if we can reconcile the Missa De Angelis “Sanctus” and “Agnus Dei” with the “Gloria” stolen by JD.
Sigh…I wish it weren’t this complicated, but what was the Congregation of Sacred Worship and Pope Paul VI thinking? That the Mass for the Dead can revive a dying Gregorian chant tradition?
Give us Orbis Factor, Cum Jubilo, De Angellis, etc., and maybe this time around, Latin will flourish - or at least give the vernaculars a run for its congregation.
Peace, all.
Marie, I’d also recommend By Flowing Waters. The problem of Latin language plainsong is similar to that of Latin at Mass: the close association of non-vernacular with schismatic elements in the immediate post-conciliar Church. My recent experience at Conception Abbey 80% vernacular chant, 10% Latin chant, 10% vernacular hymnody, 0% polyphony. That would be difficult for some to digest, but for a monastery, it works.
SC recommended fostering chant not because they were anticipating a culture war centered on Haight Asbury or the Cavern Club, but because church music was in a shambles (not Shambala) for decades prior to the council. “Deliberate” banishment is a rather harsh label, I think.
Todd,
I’ll grant you that “church music was in a shambles” before Vatican II (yes, I’ve heard stories from people “who were there” about overbearing soloists, music unrelated to the liturgy, syrupy hymns, etc) if you’ll agree that for the most part it’s not much better now (same old problems: overbearing soloists, music unrelated to the liturgy, syrupy hymns, but now we also are plagued with polka masses, rock masses, anything-goes masses, etc). I find that liturgical ignorance and apathy among musicians is as pervasive as ever, maybe even more so than what I’ve heard about pre-Vatican II.
As for “the close association of non-vernacular with schismatic elements in the immediate post-conciliar Church” - umm, wasn’t the Pope (Paul VI) himself in the habit of saying the Mass in Latin, as JP II still is? Seems like this was an artificial problem - if the bishops didn’t banish Latin so energetically, it wouldn’t have had this stigma, at least with some Catholics.
Cheers,
Peace, Sam.
Thanks for the post. Polka Masses predate the Council from what I’ve heard, but I think you’re essentially right in asking: Are things getting better or worse, or are we treading water? I would like to think we are getting better, but at a slower rate than desirable. I would point out that there is more liturgical education of church musicians today. More resources for church musicians too (though I will certainly agree we have more dreck as well as more good stuff).
I wouldn’t claim Latin was a stigma in Rome, but it was and still is in North America. Part of it is due to the fact that vernacular worship was such a strong agenda after the council, and people’s experience of it was positive. Then you have a minority decrying Vatican II (and the use of vernacular liturgy) and it seems to me that the traditionalists of the late 60’s and 70’s overplayed their hand, identifying their whole agenda too strongly with the language issue. And by the way, I personally have no problem with worshipping in Latin; my objection is to the continued use of the unreformed 1962 Missal. When I visit monasteries, I always enjoy the liturgical experience of plainsong and some Latin. I also have no problem with having excellent choirs capable of presenting the classics. I have directed such groups myself. But I do think a careful line must be toed on the performance/ministry border.
Latin is associated with schismatics?
What nonsense.
In the minds of a few far left wacko’s perhaps (the “”God is Orange” never celebrate a liturgy the same way twice, never sing a religious ditty more than five years old, crowd.)
I dare say if Latin hadn’t been effectively “banned” by the liturgists’ mafia in the US, our country would have seen no schismatics.
Nothing like giving those with an ax to grind a LEGITIMATE gripe.
But I doubt the average Catholic in this country is even aware that there are schismatics.
No one can possibly believe that Catholic Church musicians are better educated today, when one can find music directors in parish churches who don’t really read music and in CATHEDRALS who can’t play keyboard.
Though I’ll grant you, there may be more “musicians” attending “workshops.”
That that contributes to their being more educated is a bit of a stretch.
Peace, Anon.
As with many conjectures in the present day church, without any real scientific approach to polling on the issues of the education of musicians, the awareness of Latin Mass and SSPX, a great deal of this is guesswork. I suspect some axes are legit and others are not.
And sorry, Latin is associated with schismatics. Every major US city has them. Lots of parishioners talk about them. Eventually the problem of language will be settled, but in the meantime, be consoled that due to the efforts of one vilified music vendor, Latin language music from Taize has a foot hold in some places.
And if you read my post carefully, I’m not terribly pleased that plainsong — even in Latin — has gone into such a severe decline; I’m only the bearer of bad news.
Todd,
Thanks for your comments. I don’t disagree with a lot of what you wrote in your last post; I would also like to think that liturgists are better informed today. In many cases they are and I think that a case can be made that liturgucal “literacy” has gone up, looked at from a certain angle at least. More people may be attending liturgical workshops, getting degrees, etc., but what is being taught is not all good, and in many cases, positively harmful. The continuing misinterpretation and misapplication of Vatican II does get a little annoying after 40 years, as the last post by anon. suggests. Still, I have hope that, somehow, sanity will make a comeback.
I live outside of DC and in downtown Washington there’s a NO Latin mass a the cathedral; and as far as I know, it’s never been assoiciated with schismatics (there’s the indult mass across town for that ;). Ditto for the Latin mass that used to be celebrated weekly at the National Shrine. Sure, the people tend to be “conservative,” I suppose, but no one I know questions their allegiance to the Church - or do I just have enlightened friends? At any rate, I like to think that the availability of the Latin mass has kept people away from those Tridentine masses that are not authorized by the bishop, of which I know there’s one nearby. But again, as you yourself suggested, the Rad Trads hijacked the language issue for themsleves (perhaps overplaying their hand); but if the bishop celebrated a Latin mass (NO would do) on a regular basis in his cathedral, instead of banishing it to Siberia, the Rad Trads would lose that issue, wouldn’t they?
Hi all,
Just had to put my two cents in…
Everyone keeps saying how much easier chant and latin is to sing. I totally disagree. It can be quite beautiful when done well but it’s still not “easy” to pick up and learn, especially for the “uneducated” masses. I’m not saying it’s not worth the trouble… my friends and I are trying to learn and share more of it ourselves. But “easy”?
I think the real problem is that most people don’t really understand music at all, let alone liturgical music. The Vatican II documents (I can’t recall which one right now) talked about incorporating traditional music from the region into the liturgy. Here in the U.S. we don’t really have any “traditional” music. Our country’s only two hundred some years old! How deep can our traditions really go? But I think that’s where these folk (traditional music?) and jazz (traditional music?) Masses come from. Also, music in our society is used primarily (almost exclusively) for entertainment purposes. Thus the incomprehensibility about liturgical music (and even sacred music) which really isn’t about entertainment, but something deeper.
As to the comment about schismatics not leaving the Chruch if Latin hadn’t been “banished”… The more reading I do about those who leave the Church, the more I see how the real problems are pride and authority. Those who leave the Church are generally looking for a reason to leave (and blame the Church for it) because of their own pride and so they lash out at the authority of Mother Church. Really, I find the mind set is the same for the so-called “traditional” schismatics as it was and is for the protestant “reformers” as well as the so-called “progressives”, i.e. “I want what I want and the Church is wrong because she won’t give it to me.”








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