Budget label, priceless education
When I’m looking for CDs, I usually look for early sacred music or Caribbean dance music (mainly salsa). Last weekend, I was in the Carousel Mall (Syracuse, N.Y.) Borders bookstore and picked up, out of curiosity, a free Naxos 2002 catalog. Having been given a Naxos CD of Bruckner motets as a gift a while back, I was at least familiar with the name. I was in for a treat.
Turns out that Naxos puts out quite a lot of material for a budget price (~$8 US). Particularly noteworthy (for me) is its early music collection and the Renaissance recordings by the Oxford Camerata under the conducting of Jeremy Summerly. For the price of one Tallis Scholars CD, one can buy two solid Oxford Camerata recordings and three times the music (based on playing time). A fair number of their recordings have received glowing reviews from major classical publications.
What’s more, if you subscribe to their website for free, you are granted access to a vast number of their recordings in Windows Media Player format. And, unlike Amazon or other e-tail outfits, you’re given the entire track instead of a snippet.
Hmm. Eight bucks for a CD of timeless, Church-blessed music (and free sheet music via CPDL.org, so in some cases, one can read along) versus eleven bucks for a cassette of today’s greatest from GIA (sheet music extra).
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3 Comments
Dear Sir,
Naxos came highly recommended by the music reviewer in Crisis. I picked up some wonderful sacred music by Rubbra and others at scandalous prices.
It is an excellent label for the beginning collector, or the experienced collector on a budget.
shalom,
Steven
Check out their website, too (naxos.com, of course). It’s an excellent label. Their business has grown while many classical labels have cut back on releases.
There are many reasons for their success. The flat cost of $8 per disk is one. They also excel at choosing to offer works that are good, but rarely in print. The best reason is their consistently high choice of musicians. They often choose less-famous ensembles of the highest quality. Many are from Eastern Europe. Instead of giving a contract and fee, they offer a flat percentage of sales to the group.
I’ve had tremendous luck with Naxos recordings. It’s a good way, for example, to collect opera without going broke. My 3-CD recording of Rossini’s Barber of Seville is the best I’ve heard, out of half a dozen. And that for $24. With a bunch of soloists I’ve never heard of.
Eastern Europe has a fine tradition of classical performance. Once I was performing Haydn’s C Major cello concerto for a recital. Out of ten or twelve recordings, my favorite was from a small chamber orchestra in Budapest, with a celllist known only in that region. It was a $6 budget CD, but it was phenomenal!
Besides Naxos, for early liturgical music check out recordings of Schola Hungarica. Many are out of print, but they’re rather good.
Alberto Turco and the Nova Schola Gregoriana have recorded at least twice for Naxos. Those discs are highly regarded for good reason.








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