Taking nominees for the best piece of contemporary liturgical music

Fr. Jeffrey Keyes maintains in a comment on a previous post, “Well crafted contemporary liturgical music (”Table of Plenty” and “Pan de Vida” are NOT well crafted) can be sung in the same liturgy with ancient chant.”

I agree. Dear readers, what are your examples of this well crafted music (Title, Lyricist, Composer), and in which hymnals can one find those examples?

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26 Comments

I’ll start it off. My first run through the JourneySongs hymnal finds the following nominees:

We Have No Glory (Alstott)
Where Charity and Love Prevail (tr. Westendorf, Benoit)
On Our Journey to the Kingdom (tr. Baring-Gould, Colgan)
God of the Hungry (Soper)
Gift of Finest Wheat (Westendorf, Kreutz)
Gather Us Together (Alstott)
Seed, Scattered and Sown (Feiten)
Our Blessing Cup (R. Hurd)
Lead Me, Lord (Becker)
Don’t Be Worried (Brown)
Lord, Now Let Thy Servant Go in Peace (Brown)

I can’t vouch for the theology found in these hymns/songs, but I think they are at least singable and that they will wear well (with the exception of the Becker).


Hmm. I’m not familiar with all of those choices but I’d agree with Gift of Finest Wheat and Our Blessing Cup.

I’d also add the Becker Litany of the Saints.


Two that come to mind are “Where Charity and Love Prevail” (if you can find the lyrical version that hasn’t been stripped of all masculine pronouns) and perhaps “What Wondrous Love” (I think that’s the title - I’m too lazy to dig out my music notebooks and find the composers and hymnals). Interestingly, these are both in a minor key which seems to generally lend itself better to chant.

If I’m thinking of the same “Our Blessing Cup” that appears in the G&P hymnal then I can’t imagine that being done in a monophonic chant style.

Maybe, switching to a major key, “In Christ There is No East or West” might go good as chant. I was actually turned on to this song by an old Leo Kottke album. I have used his arrangement before, back when I used to play guitar in church (ahem), as an instrumental. I know it’s in the We Celebrate hymnals but, alas, I think it’s an old Negro spiritual (feel free to substitute any politically correct adjective here) so it probably doesn’t qualify as a contemporary hymn.

That’s just what I can think of at the moment.


Some good contemporary hymns and chants:

1) Nearly everything by Taize

2) Marty Haugen’s setting of “We Walk By Faith”

3) “In the Breaking of the Bread” by Bob Hurd

4) “Holy Is His Name” by John Michael Talbot

5) Some of John Bell’s work (WARNING: some have squirrelly content)

6) Some of Bernadette Farrell’s work (Early stuff — her later work gets squirrelly.)

Eminently singable but drives me up a wall: “Sing a New Church” Great tune, lyrics which set my teeth on edge.


Lead Me Lord and Seed Scattered and Sown are both fine words-wise, but they sound like children’s music to me. Gift of Finest Wheat’s tune has also always bugged me, as has We Walk By Faith.


There is a difference between what we like and what is well crafted. I admit I like some pretty sappy tunes sometimes, and I admit to having written a published some less than great liturgical music. I cringe when I go to California and this choir gleefully sings one of my 1970’s tunes to please me. I appreciate the compliment, but I refuse to pick or sing that song anymore. It is a piece of garbage and deserves to be laid to rest. The liturgy deserves our best. The songs that move our heart to praise and conversion are meant to be sung for ages. They endure and they constantly move us. This was a truth I did not know in my 20’s

Of the songs listed here so far I would only put my name to “Gift of Finest Wheat” and “Where Charity and Love Prevail.”

I know my often affects my choice in music. But I am looking for music that will last, that bears repeating, that will challenge our heart each time we sing it.

I am less and less enamored with OCP and as pastor removed the music issue from the pews. We replaced it with Ritual Song. I do not want to canonize everything in RS because there are some real groaners in there.

Here is a tune I have been singing every night for years and I am not tired of it, and it still calls me to something more than I can see:Jesu Dulcis Memoria. We sing the english text “O Radiant Light.”

keep the search going.


I like the music of “And Holy is His Name” even though the way the Magnificat is paraphrased is troubling.


I have had the music of “Where Charity and Love Prevail” running thru my head for years, since I first learned it in the ’60s. But I cannot find the words, lyrics, or written music for it anywhere. Only bits and pieces located here and there. Usually the statement “Lyrics not available” is the only answer I get. Do you know of a source for this beautiful song” Also I would agree that “Gift of finest wheat” is a song worth lasting value………….Thanks for your time and any help you might give me in my quest,


The Benoit “Where Charity and Love Prevail” is in almost every missallette I have ever seen. (OCP, GIA, etc.)

As a hymn tune it is called “Christian Love” and I bleive the copyright is World Library Publications.


AAE, in your initial post on this thread, you refercne another thread where Fr. Keyes initiates the subject of contemporary music that is well crafted, or that fits well with chant.

I can’t seem to access that post.

is it archived?

Thanks.


Sorry about the bad link on the original post…it’s corrected now. Thanks for letting me know.


Sorry, to be a nudge, but now it takes me to a thread about By Flowing Waters, and where to find a good liturgy on Long Island — no Fr. Keyes.
(whose writing aloways interest me.)


Fr. Keyes’ statement is hidden among the comments on that page and isn’t fleshed out any further. It’s there (fifth comment), though you have to look carefully for it.


I apologize!

(I was looking for, or really hoping for, a list of contemporary music he, or you, recommended.)

Thanks again!


Marianne Cook, of Our Lady of Grace Church in Scott Twp. Pennsylvania, always managed to keep the music meaningful and contemporary. Sorry I don’t find much room for the organ style of music in where verses are mere chords and all vocals. Songs such as gift of finest wheat, canticle of the turning, i am the bread of life, by the waking of our hearts, etc, as piano style, with guitar and violin, make the music speak. for further info go to http://www.olgscott.org


“I don’t find much room for the organ style of music in where verses are mere chords and all vocals”

Not sure what this means, can you explain?


NICE topic. By contemporary I assume you mean what we’d all call “trash” music. Otherwise, fine compositions of the modern day include certainly the tunes by Proulx (although I don’t care for his harmonizations) and Hurd. “Come to Us Creative Spirit” is somewhat egotistical as text goes, but still a nice tune.
But back to the trash music. Sacrelige as it is, I enjoy GREATLY playing “We Are Called”, even though it is hardly good for a church setting. And yes “We walk by Faith” is a nice little tune and almost meaningful words. Some other toe-tappers:
“I am the Bread of Life”
Haas - “You are Mine” it has the same chord progression as “I can’t fight this Feeling” by REO Speedwagon. I often just play that melody over it. :P
And it isn’t really trash but it is contemporary:
1st place award for worst lyrics for a great tune: EARTH AND ALL STARS
Simply a noble singable tune but a moronic text.


gavin knows what im talking about. by organ songs being mostly all chords and vocals, i mean that the organ plays a chord or two during the verses while the vocalist sings and it usually sounds rushed, whereas in songs like you are mine the music continuously flows from the piano and keeps up with the vocalist, and call it “trash” music if you will but i think it gets the message across better and keeps peoples attention. my church at the one mass plays this music and has since it first existed, with instrumentation including piano, violin, guitar, flute, percussion (mild), and clarinet. no professionals either, just people who appreciate the music. it continues to get the best turnout of all our masses, and i think as long as the music program exists that marianne cook created, it will continue to do so. the music speaks to people without boring them. some favorites of mine include canticle of the turning, lord you have come to the seashore, loving and forgiving, hey hey anybody listenin, on this mountain. I would also like to see How great thou art done in a nice piano layout.


C’mon, Gavin, aren’t you in to “loud-boiling test tubes”? :-)


Liturgical piano music in contemporary style generally brings images of a tuxeodoed pianist in a hotel ballrom with a glass with a few dollar bills and some change (for tips) while well dressed people mingle about sipping champagne to my mind if I close my eyes. Try it, it works!


Not precisely on the thread topic but related: many contemporary recordings of chant produced by GIA and other mainline Catholic music publishers seem unwilling to let the music speak for itself but instead infuse it with something resembling a contemporary sensibility (I guess that’s what it is) but it ends up sound perfectly silly. I’m speaking of the way the music is constantly being introduced, interjected, or otherwise interrupted by a series of oddball instrumental additives such as gongs, bells, triangles, wood flutes, bell trees, and other clangy-bangy noise makers. What is all this about? It’s almost as if the producers and directors can’t bear the clarity and liturgical quality of the human voice, and so they end up creating a sound that seems uprooted from its origin. It does make me wonder how much damage these recordings do to the cause of chant. Far better, it seems to me, to pick up one of those secular-label chant CDs at a mainstream record store.


Jeffrey, do you think it possible that the publishers’ major concern is not liturgical or even spiritual, and that the addition of “New Age” accoutrements makes the “product” more commercially viable?


Well, I’m presuming that it is the director/guru who makes the decision to include the dings, blings, gongs, chimes, and things. Perhaps it is an exercise in the creative avoidance of preconciliar sounds–or perhaps (as Oost-Zinner suggests) it reflects doubt that the music can speak for itself with its own internal power. In either case, the addion of sound oddities would seem to reduce its marketability, not increase it. The worst effect of these recordings would be to suggest to Catholics that they can’t have chant in their parishes because they don’t have the necessary gongs, bell trees, handbells, chimes, etc.


As many of you know, Oregon Catholic Press takes a lot of body blows (many deserved) for its inclusion of post VII songs that are deemed beneath the aesthetic and liturgical standards, not to mention some of which are downright beneath contempt (SING TO THE MOUNTAINS….SING A NEW SONG….Judy Hylton’s GLORY TO GOD…)
I thought I’d share some contemporary titles I regard to be “tweeners,” songs/hymns that work quite sucessfully rendered traditionally with organ/choir, piano/choir, ensemble/guitarists(skilled)/singers and/or cantors/accompaniment.
GATHER WE NOW Robert Moore;GO AND SHARE Chris Walker;UBI CARITAS Bob Hurd;ONE IN BODY, HEART AND MIND Walker (realign the second syllable of the 16th notes to the last 8th note in verses, though); BY THE WAKING OF OUR HEARTS Manalo; DON’T BE WORRIED Grayson W. Brown; O GOD, YOU SEARCH ME Bernadette Farrell; CENTER OF MY LIFE Walker; DONA NOBIS PACEM Greg Norbert (!);WHERE TWO OR THREE HAVE GATHERED (I’m a big fan of) M.D.Ridge;GOD OF THE HUNGRY Scott Soper;THANKS BE TO GOD Stephen Dean; ALL GOOD GIFTS Kevin Keil; LAUDATE, LAUDATE DOMINUM Walker;ANGELS COME IN CELEBRATION Timothy R. Smith (check this one out!)BENEDICTUS Farrell;THE LORD IS MY LIGHT Walker;AVE MARIA Greg Norbert (again!);THERE IS NOTHING TOLD Christopher Willcock;WE SHOULD GLORY IN THE CROSS Manalo;AT THE NAME OF JESUS Walker (bit Gospel-like);


Hi Charles!

Thank you so much for your list. It is very helpful. While people in other threads may argue over defining a universal/congregational-friendly beauty (which cannot be done), it seems that it’s very easy for some songs to slip under the radar. I believe OCP has taken a lot of these complaints to heart and have worked hard to improve them in the past few years–notice the relatively new copyright dates of these songs. We need more lists like these.

Nick


Here’s my 0.02 from a totally untrained layperson. I agree with some of the tunes already mentioned and would add my own favorites:

Litany of the Saints by Becker (love it so much I have to mention it again)
The Summons (I love the words and the tune)
Lord of All Hopefulness


A Musical Journey through GIRM